Self Critique

            

            From looking at my work with fresh eyes and keeping the marking criteria in mind I feel I could include research from a broader range of contexts. I do feel my research is wide ranging and in depth with for example my use of PE texts books which informed my exploration into ossification and collage, but it could be broader in the sense of looking beyond Art Nouveau, and anatomy to inspire new pieces.

            One area I feel I could research more into is graffiti along with the materials used such as spray paint and stencils. Also I could look into different artists which use line work and colour in different ways. I have carried out observational drawings of portraits but I could explore them more by using them more loosely. I think because Art Nouveau has been a main source of inspiration my artwork has been very concise.  I think now would be a good time to start using a variety of media.   

Aims and Objectives

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• Research into ‘Frank Stella,’ an artist giving to me by my tutor who uses line work and colour in a different ways

• Look into using spray paint and stencil techniques with my portraiture
• Carry out more thorough research into the patterns of nature
• Work more loosely

F.M.P. review

Since my last blog post I have gained primary source photos. I used the photography studio taking portrait shots changing the angles of the stage lights to bring out strong facial features and contrasting shadows. I was inspired to do this through the work of Gabriel Moreno. he finds inspiration from the shapes of the body. Also I feel these photos will allow me to develop pattern from defining features.  

I've looked at the anatomical illustrations of Sarah Simblet, her anatomical illustrations have great detail and a style which has a use of continuous line. I created an anatomical view of the arm and studied the shapes making comparisons to Art Nouveau. I then began to develop patterns from this source.

When developing my pattern work adapted from anatomy I over complicated the designs at first. I added to many lines and clustered the image. When I started to simplify the imagery the pattern work seemed to flow more, I started to find a balance. This then lead on to me creating a very unique portrait inspired from my Mood Board 1, containing an anatomical illustration of a head. The pattern work seemed to flow more with a sinuosity of line when applied to organic shapes. 

I now plan to take colour studies of raw meat to help inform what colours to use. I also want to explore more how nature can inspire pattern.